​I’ve been putting together a Supernatural-based playlist for my walks this winter and spring. 

​It includes all the songs I liked from the show, plus any favorites that Dean Winchester mentioned, but that weren’t included in the actual Supernatural soundtrack. Groups with royalties beyond the show’s budget, for example. Or, in the case of Led Zeppelin, that refused to grant rights. I also included songs that were titles of episodes, and even a few that just remind me of a particular character (those are noted in the list. Finally, I included some titles that Jensen and his band have released.

And because it’s my list and I can do whatever I want, I threw in a couple dozen of my own personal favorites at the end. 

For fun, the list is broken out by Supernatural seasons.

Which season gave us the most music? Seasons 1 and
2 by far, with 30+ songs each season. It dropped off drastically after those first two, and by Season 6 they were only averaging 10-12 songs.  

The unofficial anthem, “Carry On My Wayward Son” showed up in the latter part of Season 1 and then repeated regularly throughout the series.

Since Sam teased Dean about playing the same “mullet rock” cassette tapes constantly, I expected most of the music to come from the 1980s, but that’s not true. The majority of the music played in Supernatural was recorded in the 60’s and 70’s. No wonder I love it! 

Just for fun, I included the release year of each song on the list. Yeah, I had some time on my hands during this pandemic.

The whole list follows. It will be up on Spotify as “Sandy’s Supernatural Playlist.”

Enjoy! And when you listen, think of the boys.

Highway to Hell-AC/DC (1x1) (1979)
Back in Black – AC/DC (1x1) (1980)
Boulevard of Broken Dreams- Green Day (1x1) (2004)
La Grange – ZZ Top (1x1) (1973)
Hot Blooded – Foreigner (1x2) (1978)
Down South Jukin’-Lynyrd Skynyrd (1x2) (1973)
She Ain’t Lonesome – Steve Fister Band (1x2) (2006)
Out of My Hands–Dave Matthews Band (1x2) (2007)
What a Way to Go – Jesse Turnbow and Black Toast (1x3) (1992)
Movin’ On – Bad Company (1x3) (1982)
Paranoid –Black Sabbath (1x4) (1970)
Laughed I Nearly Died – Rolling Stones (1x5) (2005)

Inna Gadda Da Vida – Iron Butterfly (1x6) (1968)
All Right Now – Free Band (1x6) (1970)
Poison Whiskey – Lynyrd Skynyrd (1-6) (1973)
Peace of Mind – Boston (1x7) (1976)
I Can’t Stand It – Eric Clapton (1x8)(1981)
No One Like You – Scorpions (1x8) (1982)
Hey You – Bachman Turner (1x10) (1979)
Bad Company – Bad Company (1x10) (1974)
Lodi – Creedence Clearwater Revival (1x11) (1969)

Don’t Fear the Reaper– Blue Oyster Cult (1x12) (1976)
She Brings Me Love – Bad Company (1x13) (1979)
Walk Away – James Gang (1x13) (1979)
Can’t Find My Way Home- Blind Faith (1x13) (1969)
Rocky Mountain Way – Joe Walsh (1x15) (1973)
Burnin’ For You – Blue Oyster Cult (1x17) (1981)
Fire of Unknown Origin–Blue Oyster Cult (1x17) (1981)
Road to Nowhere – Ozzy Osborne (1x18) (1991)
Night Time – Steve Carlson (1x19) (2004)
Bad Time to be in Love – Grand Funk Railroad (1x19) (1974)
The House is Rockin’ –Stevie Ray Vaughan (1x20) (1989)
Carry On My Wayward Son– Kansas (1x21) (1976)
Bad Moon Rising – Creedence (1x22) (1969)
Turn to Stone –Joe Walsh (1x22) (1977)

Supernatural Season 2
In My Time of Dying – Led Zeppelin (2x1) (1975)
Time Has Come Today – The Chambers Brothers (2x02) (1967)
Shambala – Three Dog Night (2x02) (1973)

Wheel in the Sky – Journey (2x03) (1978)
Fell on Black Days – Soundgarden (2x03) (1994)
Stonehenge – Spinal Tap (2x05) (1984)
Surrender – Cheap Trick (2x06) (1978)
Cold As Ice - Foreigner (2x06) (1977)
Key to the Highway – Little Walter (2x08) (1958)
Crossroads Blues- Robert Johnson (2x08) (1936)
Crossroads– Cream (Because it belongs here) (1968)
White Rabbit – Jefferson Airplane (2x10) (1967)
Renegade – Styx (2x12) (1978)

​Knockin’ on Heaven’s Door- Bob Dylan
(2x13) (1987)
Down on Love – Jamie Dunlap (2x13) (1983)
House of the Rising Sun – Animals (2x16) (1983)
Ashes to Ashes – Tarbox Ramblers (2x14) (2004)
The Crystal Ship – The Doors (2x14) (1967)
Back on the Road Again –REO Speedwagon
2x14) (1979) 

Born Under a Bad Sign – Cream (2x14) (1967)
Smoking Gun – Kip Winger (2x17) (2008)
Silent Lucidity – Queensryche (2x17) (1990)
Look at You - Screaming Trees (2x17) (1996)
Green Onions-Booker T & the MG’s (2x19) (1962)
Saturday Night Special–Lynyrd Skynyrd
​(2x20) (1975)
What is and What Should Never Be–
Led Zeppelin (2x20) (1969)
Foreplay/Long Time – Boston (2x21) (1976)
Wrapped Around Your Finger – The Police (2x21) (1983)

Supernatural Season 3
Mean Little Town – Howling Diablos (3x1) (2005)
Run Through the Jungle – Creedence Clearwater (3x04) (1970)
Crazy Circles – Bad Company (3x07) (1979)
I Put a Spell on You – Screamin’ Jay Hawkins (3x09) (1956)
Every Rose Has Its Thorn – Poison (3x09) (1988)
Long Train Runnin’ – Doobie Brothers (3x10) (1973)
Dream a Little Dream of Me – Mama Cass Elliot (3x10) (1968)
Back in Time -Huey Lewis and the News (3x11) (1985)
We’re An American Band – Grand Funk Railroad (3x13) (1973)
Hocus Pocus – Focus (3x13) (1970)
Time Is On My Side – Rolling Stones (3x15) (1964)

​*Wanted Dead or Alive– Bon Jovi (3x16) (1986)

​Supernatural Season 4
You Shook Me All Night Long – AC/DC (4x01) (1980)
Lonely Is the Night – Billy Squier (4x02) (1981)
Ramblin’ Man-Allman Bros (4-3) (1973)

Eye of the Tiger – Survivor (4x06) (1982)
Ready for Love – Bad Company (4x10) (1974)
Long, Long Way From Home – Foreigner
(4x13) 1980
Travelling Riverside Blues–Led Zeppelin
4x18) 1969
Animal -Van Halen (4x?) 2017
Ramble On – Led Zepplin (4x18) 1969


Supernatural Season 5
Layla – Derek & Dominos (5x?) (1970)
Thunderstruck – AC/DC (5x01) 1990
Sympathy for the Devil – Rolling Stones (5x01) 2016
Simple Man – Leonard Skynard (5x03) 1973
Do You Love Me? – The Contours (5x04) 1988

​Superstition – Jeff Beck (5x05) 1972
Move You – Anya Marina (5x8) 2008
Oye Como Va – Santana (5x10) 1970
Hotel California –Eagles (5x11) 1976
Rock and Roll Never Forgets – Bob Seger
5x12) 1976

​Cherry Pie – Warrant (5x13) 1990
Life’s Been Good So Far – Joe Walsh (5x13) 1978
Dark Side of the Moon – Pink Floyd (5x16) 1973
Salmon Dean in the Heartland–Jay Gruska (5x16) 2010
Point of Know Return – Kansas (5x18) 1977
Oh Death – Jen Titus (5x21) 2010
Rock of Ages – Def Leppard (5x22) 1983
Back in the Saddle – Aerosmith (5x22) 1976

Supernatural Season 6

Beautiful Loser – Bob Seger (6x01) 1975
Smoke on the Water – Deep Purple (6x02) 2006
City Blues – Black Mustang (6x08) 2008
Dust in the Wind – Kansas (6x11) 1977
A New Day Yesterday – Jethro Tull (6x12) 1969
Love Hurts –Nazareth (6x14) 1974
Miracles – Jefferson Starship (6x19) 1975
Play With Fire – Rolling Stones (6x22) 2019

Supernatural Season 7

Slow Ride – Foghat (7x1) 1975
Black Water – Doobie Bros (7x2) 1974
Ridin’ the Storm Out–REO Speedwagon
7x11) 1973
Dear Mr. Fantasy – Traffic (7x11) 1967
You Shook Me All Night Long – AC/DC
(7x13) 1980
Turn Into Earth – The Yardbirds (7-17) 1966
Given Up–Phillipwhitemusic on Soundcloud (7x17) (release date unknown)
Walking on Sunshine – Katrina & the Waves (7x20) 1996
Born to be Wild – Steppenwolf (7x23) 1969

Supernatural Season 8

Locomotive Breath – Jethro Tull (8x01) 1971
Man in the Wilderness – Styx (8x01) 1977
It Took a Long Time – Koko Taylor
8x04) 1981
We Gotta Get Out of this Place–
The Animals (8x07) 1965
Fortunate Son – Creedence Clearwater – (Because it belongs here) 1969
Katmandu – Bob Seger (8x10) 1975
China Grove – Doobie Bros (8x11) 1973
Dean’s Dirty Organ – Christopher Lennertz (8x14) 2005
Americana – Jay Gruska (8x16) 2005
*Goodbye Stranger – Supertramp (8x17) 1979
Iron Man – Black Sabbath (8x20) 1970
Changes – David Bowie (8x23) 1971

Supernatural Season 9

Lola – The Kinks (9x?) (1970) 1970
Who Do You Love? – George Thorogood
9x01) 1978
Rockin’ Down the Highway –Doobie Bros (9x02) 1972
Mo’ Guitar Grit full version–Jay Gruska (9x02) 2010
Heroin – Velvet Underground (9x16) 1967
You’re No Good – Linda Ronstadt (9x17) 1974

​The Sun Ain’t Gonna Shine Anymore Frankie Valli (9x18) 1966
If You Wanna Get to Heaven – Ozark Mountain Daredevils (9x19) 1973

Supernatural Season 10

Season of the Witch – Donovan (for Rowena) 1966
Black Magic Woman – Santana (for Rowena) 1970
Imaginary Lover – Atlanta Rhythm Section (10x01) 1972
Sundown – Gordon Lightfoot (10x05) 1974
Travelin’ Man – Bob Seger (10x6) 1975
Quiet Village – Martin Denny (10x09) 1959
Ashes the Rain and I – James Gang (10x12) 1970
Only a Matter of Time – Headwater (10x12) 2008
Take Me to Church – Hozier (10x13) 2013
​The Boys are Back in Town – Thin Lizzy (10x18) 1976
Behind Blue Eyes -The Who (10x18) 2003

Supernatural Season 11

Sounds of Silence – Disturbed (11x?) 2015
Night Moves – Bob Seger (11x04) 1976
Midnight Rider – Allman Brothers Band (11x16) 1970
Things Have Changed – Anson Funderburgh & the Rockets (11x19) 1999
Good Vibrations – Brian Wilson (11x20) 1967
Gimme Shelter – Rolling Stones (11x20) (1969)

Supernatural Season 12
​
Solitude – Black Sabbath (12x01) 1971
Lost Angel – Heart (12x02) 2004
Roll on Down the Highway–Bachman Turner Overdrive (12x06) 1974
Stuck in the Middle With You–
Stealers Wheel (12x12) 1972
Save Me Tonight – Sonny Ellis (12x14) 2011
Make Me Wanna Die – The Pretty Reckless (12x16) 2010

I’d Be Lost If It Wasn’t for You – Elijah Honey (12x16) 2013
In Peaceful Dreams    - Seasick Steve (12x20) 2015

Supernatural Season 13

Nothing Else Matters –Metallica
(13x01) 1991
Aquarius Apocalyptic– Stop Light Observations (13x01) 2016
It’s Never Too Late - Steppenwolf
(13-05) 1969
I am the Fire-Halestorm (13x10) 2015
Cat’s in the Cradle – Harry Chapin
(13-21) 1974

​Supernatural Season 14

Let It Ride – Backman Turner Overdrive (14x07) 1974
Please Call Home – Allman Brothers (14x8)
Monsters and Saints – Extreme Music (14x11) 2016
Til It Shines – Bob Seger (14x13)
The Devil You Know – Blues Saraceno (14x16) 2018

​Supernatural Season 15

Sounds of Someday – Radio Company (Jensen Ackles) (15x04) 2019
Drowning – Radio Company (Extra) 2019
Let Me Be Be – Radio Company (Extra) 2019
Cannonball (Radio Company) (Extra) 2019

Ol Boys – Jensen Ackles & Christian Kane (15x07) 2019
Get Together – The Youngbloods (15x19) 1967
Running on Empty – Jackson Browne (15x19) - 1977
Brothers in Arms – Dire Straits (15x special) 1985
Carry On Wayward Son – NEONI (15 special) 1976
Ordinary Life – Van Morrison (15 Carry On) 1991

Other Favorites
​
Ain’t No Sunshine – Bill Withers (1971)
Damn Girl – Justin Timberlake (2006)
For What It’s Worth – Buffalo Springfield (1966)
Hey You – Pink Floyd
Hey, Soul Sister – Train (2018)

​Hurdy Gurdy Man – Donovan
Hush – Deep Purple
Long Cool Woman – The Hollies (1971)
Low Rider – WAR (1975)
The Locomotion  - Grand Funk Railroad (1974)
Monsters – Shinedown (2019)
People are Strange – Doors
Riders on the Storm (Doors) (1971)
Spill the Wine – Eric Burdon and WAR (1970)
Smooth – Santana (2011)
Somebody That I Used to Know – Pentatonix (2012)

Somebody to Love – Jefferson Airplane
Stuck Like Glue – Sugarland (2010)
Sunshine of Your Love – Cream (1967)
Stairway to Heaven - Led Zepplin (1971)
Time of the Season – Zombies (1968)
You Can’t Always Get What You Want – Rolling Stones 1969

​Whether you celebrate Christmas or Yule, one of my favorite traditions of the season is decorating the tree.

 I celebrate both holidays, and always strive to have my tree trimmed before Yule, so I can sit vigil by its light through the long night of the Winter Solstice. Dawn means that the coming days will lengthen, and our time of deepest darkness is over. This ritual of vigilance is particularly important to me this year, as I’m sure it is for many others. It’s been one hellish year, and I find it uplifting to think that our country’s darkness has turned a corner back to light.

I feel like the Christmas/Yule I celebrate this year is bigger than its Christian or secular meanings. Bigger even, than its roots twined in the pagan practices of the solstice. And I need its magic more this year than I’ve ever needed it before. It’s the time of the year when I can look strangers in the eye and dream of peace on earth and goodwill to all men. That has been a long damn time coming. Frankly, two months ago I wasn’t sure we’d ever feel that way about each other again.
​
That dream is important. I plan to use our peaceful energy of the season to project positive thoughts, to energize my heart and get past the sadness of loved ones who are no longer with me, or cannot be nearby to celebrate. It would be all too easy to become overwhelmed with missing them and not care about the holidays. 

When I lived in the Midwest, my family would visit the local Christmas Tree Farm.
We would walk together through the trees until we found just the right tree, the one that called to come home with us. The workers chopped our tree down and we all carried it back to the workshop.

While we sipped hot cocoa, the workers squared the trunk so it would sit straight in its stand, trimmed the lowest-hanging branches, and ran the tree through an efficient “bagging net” machine. Then we loaded our bagged tree onto the roof of our car and tied it on securely. The whole house smelled deliciously of pine when we put the tree up in the house.

These days, however, we have a beautiful, but artificial Christmas tree. Live tree farms are a luxury of the past, and the cut trees on the Christmas tree lots in Arizona dry out immediately and become fire hazards.
​
I still love the family day of decorating the tree, even if often now it’s just me saying, “Hey, Goggle, play some holiday music” and digging in by myself.

I unwrap the ornaments from their boxes and spread them out on the sofa and harvest table. It’s a living collage of several generations.  

  Pipe cleaner angels with tinfoil wings, yarn hair and wooden faces that my mom, the artist, painted.

A tin man with jointed legs and arms from my grandpa.

We still have a half-dozen pink frosted balls from a collection my husband’s second wife bought when they were newlyweds. (I’m wife #3). For 29 years, I’ve been planning to throw them out, but it hasn’t happened.

Then there are the fragile, blown-glass ornaments I bought for my mother as a girl: A bell, a sailing ship. Those go near the top of the tree, away from little hands. Displayed more prominently than he’d like are all the ornaments our son Ian made in grade school (I’ll bet a lot of you have little hands traced in felt).

​The children’s show-themed ornaments Paul and I bought through the years are clustered on low branches, so our grandson can take them off and play with them: Toy Story, Tramp and Lady, Dalmatians, Thomas the Tank Engine, 

​Harry Potter and his white owl, Buzz Lightyear, Olaf and Sven. 

​Scattered throughout are my own pagan-themed items, such as crystals, woodland creatures, fairies, pine cones, ravens and stars and moon, several pentagrams, and crystal icicles. 

I remember my loved ones as I put each special ornament on our tree.

Mom’s quiet love of her own tree, and her hugs when I came out to breakfast, sleepy-eyed, on Christmas morning. In later years, her joy when my own family came to visit on Christmas Eve, laden with packages. She and Dad were so happy to have Paul join our little family. (I think they were getting worried. I married at 40).

I have many happy memories of my friend Lisa and her mother Lily spending Christmas Eve at my parents, and, more recently, at our Arizona home. Another fond memory (now at least) was Ian’s first Christmas, belly down across his grandma’s knees (he was a colicky baby). And later, playing on the living room floor in front of the tree, ankle deep in Lego pieces. Shooting off his new rocket in Red Bridge Park, running around like 9-year-olds do, and yelling, “Come on, Mom. Hurry!”

Now Ian will soon be teaching his own son to love rockets. Maybe not yet, he’s five, and even more impetuous than his dad. But soon, along with all those Lego sets he has meticulously stored away.

Putting up the Yule tree has turned into a moving meditation as I work my way backwards, through this year’s sadness and into the joy of every happy memory I have built into the foundation of my own holiday spirit. 

Each ornament has a story. Each one has a face behind it. Each one reminds me of lives that have touched mine, and the love they have left for me and my little family.

As I hang the ornaments on the tree, I call those memories into my finger tips and place them on their spot on the tree with purpose.

I remind myself that in the dark days of winter, in the worst year in memory, the light is coming. My tree becomes not just a living memory, but an invocation of hope. The weaving of memories and love becomes a spell to lift my heart.
We think the spell, we touch the love, and the power unlocks.

Merry Christmas all, and Happy Yule.
Blessed Be.

It’s been more than a week, and fans are still ugly crying over the season and series finales of Supernatural. Some felt the story ended as it should. Others hated it. And many wanted to see Castiel reunited with Dean in Heaven, joined, much later, by Brother Sam.

Regardless of how you felt about the ending of the series, one aspect of this show has never disappointed me: the music. This show had more kick-ass music than any other TV series of its kind. And the music has been integral to Supernatural, whether it’s the classic rock or the scary scoring.

As creator and original showrunner Eric Kripke explains, “This music isn’t disposable. It’s like nothing on any show on this network. That was something that was really important to me, coming into the Pilot. I’m from a small town in Ohio and this is the music I listen to. I was a huge Zeppelin fan. So when it came time to write and produce the Pilot, it was important not to have the normal network music. I even wrote in the script, 'Cue music. And you can take your anemic alternative pop and shove it up your ass.'”
​
“There’s a real energy in the Midwest,” he says, “to miles and miles of flat farmland and two-lane blacktops that stretch into infinity, and you’re jamming classic rock as loud as it can go. There’s something so mythic, so American about that.”

 the Pilot, Sam and Dean have the following exchange:

Sam: I swear man, you gotta update your cassette tape collection.

Dean: Why?

Sam: Well, for one they are cassette tapes, and two…(pulls out a few cassette tapes). Black Sabbath? Motorhead? Metallica? It’s the greatest hits of mullet rock.

Dean: Grabs a cassette from Sam and pop it in the player. House rules, Sammy. Driver picks the music. Shotgun shuts his cake hole.

And so it’s been from the first episode. Kripke sees himself as a sort of School of Rock missionary, although, sadly, not all gospel is featured. Zeppelin, for instance, won’t be preached. “I’d like to use Traveling Riverside Blues” or “Ramble On,” Kripke said, “But Zeppelin will not sell their songs to anybody but Cameron Crowe because he traveled with them when they were on tour, and they’re also a billion dollars a song, rough estimate.”

The cost of the music has always been an issue for the show. From Season three onwards, as other budget demands didn’t leave room for it, fans noticed a marked decrease in the amount of classic rock used on the show. They complained, loudly. At a Supernatural convention in 2011, Jensen Ackles sat the complaint had been heeded, and efforts were made to bring more rock back into the soundtrack. 

Kripke managed to procure an incredible collection of classic tunes that have become anthems for Supernatural’s fans. 

The most recognizable is the 1976 hit “Carry On Wayward Son” by Kansas. It’s the closest thing Supernatural has to a theme song. The song was first used over the montage at the beginning of the second episode, Salvation, and it has subsequently been used at the beginning of the final episode every season except the last. In the series finale, the song doesn’t play at the beginning, but rather over the Impala’s radio as Dean drives through heaven.

It’s obvious the writers gave a lot of thought to the music selection and editing. For example, in Season 2, when Dean has repaired the Impala and takes her back on the road again, AC/DC’s “Back in Black” is the fitting accompaniment. 

Then in Season 2, Episode 12 (“Nightshifter”), Sam and Dean end up on the inside of a bank holdup. Since Dean is already a wanted criminal, they’re automatically implicated.

When they do manage to get away, and make their way back to where they’ve parked the Impala, the a capella vocals of Styx’s “Renegade” announce, “Oh, mama, I’m in fear for my life from the long arm of the law.” The song’s timing allows the music engineers to extend the heartbeat-like bass drum interlude that intersperses the next few vocal lines, until Dean looks at Sam as they leave and says, “We are so screwed,” and the song echoes with “The jig is up, the news is out, they’ve finally found me.”  What fun! By the way, this is, according to convention panels, one of Jensen Ackles’ favorite musical cues. It’s mine, too.

Another of my musical interweavings occurs in Episode 21 (“Two Minutes to Midnight). This is the introduction of the Horseman of the Apocalypse, Death. The montage, to the Jen Titus song, “Oh Death,” introduces the wonderful actor Julian Richings in slow motion, with dry leaves blowing in slow motion as Death takes down a businessman who has bumped into him on the street.

The stark arrangement of the Appalachian dirge “Oh Death” reinforces the chilling effect, and the lyrics are perfect. “My name is Death and the end is here.”
​
Just as important as the rock soundtrack is the incidental score, the music composed specifically for the show.

Often, the musical scoring goes completely unnoticed by the viewer, but without it the effect of the show would be completely different and have less impact.

Supernatural has a wonderful original score with many recurring motifs that fans instantly associate with a broment, or the Impala, or a gory death. Like the show itself, the score expands to cover many genres, rock, folk big band or a tribute to old monster movie.

Jay Gruska, along with Christopher Lennertz, are the composers who have been responsible or Supernatural’ original scores from the beginning, and they have won numerous awards for their work on the show. Jay has create some of Supernatural’s most instantly recognizable music, such as “Americana” which most memorably accompanies Chuck’s narration in Swan Song, which also contains the motif popularly known in fandom as the Winchester Family theme. 

“From the beginning,” Lennertz says, “Eric’s orders were to make a compelling and scary horror film every week. We all met and began to throw out ideas of how to do this musically, and came up with a palette that had roots in classic orchestral horror and twentieth century atonal music but with added production elements of the current day.

Then we added a bit of rock guitar on occasion due to Dean’s musical taste. On top of that base, we add elements of local color or inspiration from a certain time or place, depending on the setting of individual episodes. Jay and I have also explored the addition of unusual organic instruments of Americana, such as dulcimers and acoustic guitars, but played in an unconventional way. Considering the boys’ journey across America, it seemed to fit perfectly.”

After researching the Supernatural' music, I've decided to dive back into the series one more time, specifically to listen to it.

I’m also going to put together my own personal play list of favorite songs from the show. I’ll share that list with you here next week.  

I hope you had an enjoyable Thanksgiving. See you here next week with Writer Sandy’s Supernatural playlist.

Supernatural is the little horror show that beat the odds.
​
Fifteen years ago a vaguely titled show about two brothers hunting monsters debuted on the WB. The actors playing Sam and Dean Winchester—Jensen Ackles and Jared Padalecki—weren’t household names. The show’s creator, Eric Kripke, had been unsuccessfully shopping his idea about paranormal crime fighters for a decade.

hen Supernatural first aired on Sept. 13, 2005, everyone’s expectations were modest. Critics said it was “kinda like Buffy, only with boys.” Padalecki can still remember the exact pitch for the first season: “Route 66 meets X-Files, brothers on the back roads of America hunting things that go bump in the night.”

Still, encouraged by promising early ratings, WB executives stuck by the scrappy, relatively low-budget original show even as the network itself went through the upheaval of evolving into the CW.

Kripke set up his weekly horror flick pilot with a flashback to the fiery death of Sam and Dean’s mother, Mary (Samantha Smith), at the hands of the yellow-eyed demon Azazel (Frederick Lehne). Flashing forward 22 years later, and the widowed John Winchester (Jeffrey Dean Morgan) and his older son, Dean, spend their time hunting, yes, demons. 

When Azazel strikes again, ordering the slaughter of younger son Sam’s girlfriend (Adrianne Palicki), Sam opts to drop out of college, skip law school and join the family business as well.

Padalecki says he became interested in the role because he like horror series, but he was even more excited to become “the reluctant hero.” In his eyes, “Sam is something like The Matrix’s Neo or Luke Skywalker of Star Wars.” Tragic circumstances force Sam to make the big choices that shape his life.

Throughout the first several seasons, Supernatural delivered on its original premise of scares, gore and tears—and plenty of cliff-hangers—as research-minded Sam and his gruff, cheeseburger-loving older brother, Dean, battled every variety of monster and demon. Finding their father, who disappeared in the first episode (“Dad’s on a hunting trip and he hasn’t been home for a few days.”) was the boys’ goal in season 1, although that ended up being as difficult as getting John to stick around once he was finally discovered.

As a paranormal writer myself, I had great fun researching creatures and spells along with the Winchester brothers. I was impressed that the lore the writers referenced was accurate. In fact, writer Eric Kripke used to say, “Is it a Google-able monster?” In the first season, we learned how to kill demons, vampires and ghosts along with the brothers.

The show’s formula during that year was simple: Include at least on scene set in the brothers’ 1967 Impala, weave a plotline about a growing threat, and plant plenty of callbacks to the deep mythology developed in previous episodes.

​Oh, Baby!

​Baby, the Impala, was Sam and Dean’s only home for many years, along with cheap motel rooms they often paid for with forged, stolen or found credit cards. The iconic car (nine different vehicles were used in the series, one of which squealed and creaked horribly every time they opened a door. 

Baby meant so much to the stars, in fact, that they both now have ’67 Impalas parked at their Texas homes, part of their final contract.

“Having a car that was like the third lead of the show was important to me,” Kripke says. “When I told my neighbor in Venice (California), who was a mechanic, that I wanted a badass car and was thinking of a ’65 Mustang, he said, “Yeah, a Mustang is the perfect car if you’re p**sy.” And without missing a beat, he said, “You want a ’67 Impala because you can put a body in that trunk.”
​
Dean had an extremely limited musical library of 8-tracks in the car. He played those songs a LOT, much to Sam’s dismay. In one scene Sam described them as the “greatest hits of the mullet rock era.” But the music has become a huge part of the series’ appeal: Carry On My Wayward Son (1976 Kansas jam) is basically the show’s theme song.

And Ackles’ extra reel 
​of Dean lip syncing and playing air guitar on Baby to “Eye of the Tiger” (Survivor) in Season 4 is a gem fans enjoy watching again and again. 

The Winchester family reunion was short-lived: Season 1 closed with a car crash and the fates of all three men up in the air. When the story picks up, John Winchester makes a deal with the demon Azazel, trading his life for Dean’s.

“Everything up to that point was about finding Dad,” Jensen Ackles said.

“I think that was the first time we saw a major character die and come back. It was a total leap of faith,” Padalecki continued. 

But they weren’t surprised. Right after the show moved to Vancouver to film, Kripke had pulled the two actors aside and said, “I could write monsters or days, but this show begins and ends with family, and the relationship these brothers have.”

“So, after our dad’s sacrifice,” Padalecki said, “we told the story of Reapers and the veil, and what happens to your soul. And we got into afterlife. The introduction of Hell and making deals with demons was a big shift in what Supernatural could do.”

Ackles added, “Which is funny, because when you think about it now, Eric (Kripke) must’ve always known because Mom made a deal with the yellow-eyed demon too.”

Angel Castiel
As the show evolved, so did the monsters, and in season 4, the introduction of angels changed everything once again. “I was concerned that would be a bridge too far,” Padalecki says of the angelic decision. “I wondered, ’Are we going to turn off a lot of the people that came here to watch a scary movie?”

Show creator Kripke himself had fought the idea for years, until he had an epiphany while he was washing his face. “I realized the supernatural world was unbalanced,” he said. “There was only evil. So I walked in the writers’ room on day one of season 4 and said, ‘Okay, there’s going to be angels…but they’re dicks!’” As Kripke puts it, “Angels completed the mythology.” They also added Misha Collins (brilliant move!) to the cast as Castiel, the first angel of the lord and the closest thing to a third Winchester brother.
​
“And now, amazingly, 11 years later,” Collins says, “so much of the show has been hung on biblical lore and mythology that is actually drawn from the Bible. Along the way, we’ve talked with priests and pastors and ministers, even nuns, who love the show.”

Season 5 brought another of my favorite characters, the wily crossroads demon Crowley (Mark A. Sheppard), later the King of Hell. He served as the Winchesters’ frenemy in more than 70 episodes over eight years.

When fans were asked to vote for the “baddie you most love to hate,” who was surprised? After all, Crowley was the only villain who had a hellhound as a pet.

The Witch We Love

​A few years after, in Season 8, another of my favorite characters was introduced, Rowena (Ruth Connell), Crowley’s mother, a powerful and equally amoral witch.
 
Rowena was initially antagonistic toward the Winchesters as she saw Crowley’s relationship with them as diminishing his power. Over time, she became an ally, particularly with Sam, although she was destined to die by his hand, when she chose to sacrifice herself and save the world by using her own body to imprison all the souls and demons and cast them back into Hell. Her soul then took up the empty position of Queen of Hell. To me, that was one area of mythology that the show should have mined more deeply, but didn’t.

Despite Supernatural’s deft ability to keep monster stories fresh while still delivering a record-breaking run as the longest running sci-fi genre series in the history of broadcast television, it wasn’t always a “sure thing” when it came to renewals. “I would honestly say every year up until season 6 or 7 (we were worried),” Ackles says.

What has saved the show is its fans. Supernatural has a very vocal fan base that attends ComiCon-like conventions all over the world. Because of the fans, the show has persevered through three network presidents, five showrunners, a writers’ strike, and six different time slots. Turns out the Winchesters really can survive anything, from the apocalypse to a Friday night time slot. 

By its 12th season it had become the network’s longest-running series. It kept the same two leads, who basically grew up grew up on the show (Padalecki was 23 when he started on the show; Ackles was 27). 

All-Time Favorite Moments
Trying to narrow down their 15-season run to one favorite moment on or off screen was not easy for either actor. 

But Jared Padaleck has a great default answer: Meeting his wife, Genevieve (who recurred as the demon Ruby), in Season 4.
“That season was magical all around. I loved Sam’s storyline that season. The weather was better than normal. But that entire year is colored by my memory of falling in love.”

Then he adds, “But I will say, knowing what I know now, the series finale is my favorite single episode of all time.”

Ackles also pointed to the last episode, and one moment in particular that might take “the number one spot of all time.” For offscreen, he named their final appearance at ComicCon. “There’s something special about that room and that crowd, the grandeur of it all.”

Misha Collins pointed to the “bookends” scenes for angel Castiel. “His introduction on the show was epic,” he said, using similar words to describe his final “Goodbye, I love you,” scene with Dean, ending with a bloody handprint on Dean’s shoulder, just like the one Castiel left when he pulled Dean out of hell back in season four.

One episode of Supernatural remains (a 2-hour special and series finale this Thursday, November 19). It’s titled “Carry On” but neither the synopsis, which reads, “Baby, it’s the final ride for saving people and hunting things,” nor the promo photos reveal much, other than a shot of Dean enjoying some pie.

The original series creator, Eric Kripke weighed in with a message. “The good that has come out of Supernatural is the thing I am most proud of. I know that the Supernatural family will always be there, so I know this isn’t goodbye.”

But for the stars of Supernatural, any further reunions will have to wait a while.

Jensen Ackles is staying on with the CW station, joining the show The Boys for Season 3 as Soldier Boy, the original superhero. The Boys portrays a world in which superheroes exist, but they’re quite dangerous to non-supers, and cause a lot of collateral damage.

The Boys will reunite Ackles with Supernatural creator Eric Kripke, who’s the showrunner on the Amazon series. 

It looks like Ackles’ playlist will also change with this role. Since Soldier Boy was introduced in the World War II era, he’ll be listening to ‘40s big band and swing to get into the part.  

Jensen and his wife, actress and philanthropist Danneel Ackles, have also announced a big joint project, launching their own production company, called Chaos Machine Productions, in conjunction with Warner Bros. Television.

Jensen already owns and runs a brewery, Family Business Beer Company, in Texas.

Jared Padalecki also has his next gig lined up. 

Jared Padalecki also has his next gig lined up. He’s going to star in CW’s re-imagining of Chuck Norris’ classic series, Walker, Texas Ranger.

The new series, simply titled Walker, will feature Padalecki as Cordell Walker, a widower and father who returns to his home in Austin, TX, after two years undercover, He must reconnect with his children, navigate clashes with his family, and find common ground with his new partner, while growing increasingly suspicious of his wife’s death.  

Padelicki will be joined onscreen by fellow Supernatural alum Mitch Pileggi, who will be playing Padalecki’s father. The series is scheduled to premiere on January 21, 2021. 

See you this Thursday for what I’m sure will be a sad, maybe even tearful, but most excellent farewell!

Saturday morning, the majority of major news organizations called the election for Joe Biden, the president-elect of the United States.

Although Donald Trump has not yet conceded the race, the announcement has effectively brought an end to the 2020 U.S. Presidential election, a race that will undoubtedly be remembered as one of the most tumultuous in the nation’s history.
Biden won the White House because of who he is and who he isn’t. He campaigned consistently for racial equality and common decency to save “the soul of the nation.” According to political experts, the election became a referendum on Trump, an up and down vote on his four years, rather than a choice between him and Biden. About two-thirds of voters said their opinion of Trump, either for or against, drove their choice, according to voting polls.

One of the most pivotal figures who supported Biden’s election bid, Rep. James Clyburn, D-South Carolina, said the candidate still had to offer voters something to believe in.

“I’ve said he’s not the perfect candidate. We’re not comparing him to the Almighty. We’re comparing him to the alternative,” Clyburn told USA TODAY. “We needed somebody who was basically center-left, we need somebody who has a good solid reputation, a person who can bring people together. And we need a real contrast to the bombastic incumbent.”

Clyburn, the third-ranking member of the House and the most powerful Black lawmaker in Congress, gave his endorsement and helped Biden consolidate support. Ultimately, three out of 5 black voters supported Biden.

The coronavirus pandemic changed the nature of the campaign completely. Both parties held conventions largely remotely. Door-to-door canvassing became tougher. Voting was a challenge, so many citizens chose to mail in their ballots in record numbers, despite Trump’s unfounded assertion that mail-in voting was corrupt.

The response to the health crisis became one of the defining contrasts between the two presidential campaigns. Biden remained mostly secluded at his Delaware home and appeared at speeches or rallies where participants wore masks and social distanced. Trump resumed and escalated rallies with large crowds packed closely together, few wearing masks. After Trump and several of his family and cabinet members tested positive, these rallies began to be known as “super spreaders.”

About two-thirds of likely voters approved of Biden’s more cautious approach, according to a USA TODAY poll. But Trump’s super-spreader rallies continued. The man even mocked the few attendees who did mask.

Honestly, the last ten days before the election felt a month long. There were times I felt we were experiencing what it was like to live in a communist country. The propaganda claims, espoused by our country’s leader as unquestionable truth, with no evidence or justification. The threats to any Republican Party member who even hinted disagreement. (Those threats are continuing still, by the way.) I cringed and hunkered down, hiding from the bombardment of vile tweets, political ads and other media. Just get through the election. Just get though the election. Just get through it…

But now, finally, we can collectively breathe a sigh of relief. 

“We must restore the soul of America,”  President-elect Biden told the country at his acceptance speech on Sunday night. “Our nation is shaped by the constant battle between our better angels and our darkest impulses. And what presidents say in this battle matters. It’s time for our better angels to prevail. Tonight, the whole world is watching America. I believe, at our best, America is a beacon for the globe. We will lead not only by the example of our power, but by the power of our example.”

Biden needs to unite a country fractured by the pandemic, economic upheaval, racial tensions and climate challenges. He must rebuild broken relationships and alliances around the glove. He also may need to convince a portion of the country that he actually has won.

Instead of concession, Trump and his most ardent supporters are spoiling for a fight. They’ve collected outside the building here in Phoenix where election workers were counting votes, yelling “Trump won,” and chanting to have votes counted.

They floated non-truths about Sharpie pens ruining ballots, and a whole other carnival of conspiracies, only some of which even related to the election at hand.
Saturday’s projections provided some finality and a break to the tensions.  Like steel bands around my chest popping loose. I could breathe. Easily and fully.

Finally, we know he’ll be out of power, and we can begin to undo the damage. 

One blogger put it this way: “If you’ve ever lived with an abuser, you know that one thing they do is absorb ALL of your attention. They control you by keeping you on pins and needles even when they’re NOT being abusive. You’re not even aware of it until it stops. Until you can wake up in the morning not thinking about how you must try to keep things on an even keel. At some point, you realize what a burden you’ve been living with all this time.”

If the elections of 2020 have demonstrated anything, it is that effective representation and governance requires that every single citizen participate in the process. It requires that we pay attention to policies being put forth, and voice our support or opposition in ways that are legal, concise and thoughtful.

Democracy is a lot like gardening; it requires constant and faithful tending. The neglect and abuse of our system over the past few years is going to require some serious assessment, and then a solid plan on how to move forward.
We can certainly celebrate electing a biracial woman, Kamala Harris, to the nation’s second-highest office for the first time in U.S. History. This is a victory for the principles of inclusiveness and equality.
 
Today we celebrate. Tomorrow? That is up to each of us, and how we choose to participate in the process. Whether or not we hold onto this progress, and continue to build on it.

Despite the temptation to think we have entered a brave new post-Trump world, we are more likely to shuffle back to the position we were in during Barack Obama’s second term as president. A divided Congress is likely to prevent any major legislation from being passed. As with Obama, Mitch McConnell will have every incentive to block Biden’s legislative agenda, thinking that inaction and gridlock will bring rewards to the COP in 2022.

I hope I will have to eat my words on this—the Georgia runoffs for Senate could change everything. But barring those wins, Joe Biden is going to enter the presidency in the midst of the worst recession since the Great Depression; a pandemic that has claimed nearly 240 thousand American lives; an ongoing national reckoning on racism and sexism; and four years of catastrophic negligence on climate change. And that’s not even factoring in the 6-3 conservative majority on the Supreme Court, a problem Obama didn’t have.

But it’s not all bad: Biden can do a lot to handle the COVID-19 pandemic more effectively, even without legislative support, While another stimulus bill will be necessary to alleviate the coronavirus’s effect on our economy, much of the work of containing and eventually stopping the virus can be accomplished just through embracing international cooperation again, as opposed to the Trump administration’s reckless abandonment of agencies like the World Health Organization.

And when one looks at how often the Trump administration abandoned global collaboration on pressing issues—most notably, again, climate change—there’s comfort in the prospect of simply repairing those relationships. As the French Prime Minister said this week when Biden’s victory was announced, “Welcome back.”

There were many important stories within the story of this election: the powerful rise of the Black women and Black Lives Matter as a political force, the demonstrated strength of our growing Latino community.  Most of all, the amazement that a nation, inundated by a resurging pandemic, still voted in historic numbers.

These results did not convincingly repudiate some troubling divisions in our country. We are still, as a nation, precariously flirting with white supremacy, conspiracy theories, and “alternative facts.” I am still concerned about how culture, and specifically faith, may be weaponized. Many communities, including my pagan organization, remain marginal and easily targeted. There are hopeful signs, yes, but we must remain watchful.

To my personal surprise, the biggest think I feel hopeful about is President-elect Biden himself. He stepped up to this challenge. He’s real. Honest. Not manipulative or narcissistic. He cares—really cares—about us. About ME.

So I’m going to breathe another sigh of relief. Put the dark impulses of the past years aside, and look toward our better angels. I know they’re out there, we just have to coax them out of hiding.

Congratulations Senator Mark Kelly! We turned Arizona blue for you. 

Welcome President Joe Biden and Vice President Kamala Harris. We look forward to working with you.

My writer friend, Laurie Fagen, has launched a new, twice-monthly, half-hour web series, AZ Creates! It will highlight artists, writers, dancers, musicians, film, theatre or TV creatives, and other artistic people in Arizona.

I was honored to appear as her guest this this month, and talk about my paranormal novel, Song of the Ancients, an appropriate for this Samhain season. The interview airs beginning October 22, and will be available online indefinitely. ​
Here’s a bit of the interview:

Q: What drew you to writing this book?

Sandy: I have loved reading and writing since grade school, and I majored in Journalism in college. But I didn’t start my first novel until I was nearly 50, and it was inspired by Severus Snape in the Harry Potter Series.

He haunted me in book 6, the Half-Blood Prince. Good and evil, yin and yang.
Then…Poof! Done in by a snake without even a decent fight.

So, when I began my own book, Song of the Ancients, I started fiddling with that personality type for my main male character, Nicholas Orenda, a man who is infinitely talented, but flawed. A character who will consider bending any moral code to accomplish his goal.

Is he a villain? No. Can you depend on him unconditionally? Well, you tell me. Have you ever loved a bad boy and been disappointed? Nicholas is Samantha’s nemesis, the one she must overcome and win to her side.

Just like life. Because really, is love ever easy?                                                                      

Q: Is this the first book in a series?

Sandy: Yes. Sedona is the first power site featured in the series. Book 2, tentatively titled Stones of the Ancients, will take readers to the ancient standing stones in Scotland. 

Remember the Standing Stones Claire goes through in Outlander? My husband and I were able to research several sites in Scotland two years ago—including the Callinish Standing Stones, which the Outlander scenes are based on.

We had the opportunity to visit an existing excavation site, Ness of Brodgar, which will also be in the book. Additionaly,  I began researching my Campbell Clan heritage, which I can’t wait to write into the book. Book 2 is going to be personal, and so much fun! 

Please take a look at the AZCreates! Podcasts. If you subscribe, you will be notified automatically when a new episode drops.

I’ve put my book-in-progress on the back burner for the last two weeks, while I get Song of the Ancients re-edited and uploaded to Amazon under my own ownership.

I parted ways with my previous publisher a year ago, but we’re just getting around to making the split final. The good news: It’s given me the opportunity to correct some formatting errors in her original upload which have always driven me crazy. Hyphenated words in the middle of a line, for example. I even got dinged in one review for those, but what can you do. Correct them in the next edition, that’s what!
So, a new, sparkly clean version will be back up on Amazon for the public October 15.

Until then, I could really use your help.
Through October 15, I’ll send you a FREE pre-release ebook   in exchange for an Amazon or Goodreads review.  Just send me your email HERE or on my FACEBOOK page and I’ll shoot you out a copy.

The book synopsis:
Samantha Danroe moves from the Midwest to Sedona to start a new life. Instead, she becomes the prey in an ancient war between good and evil.
Nicholas Orenda is a sixth generation witch, in Sedona tracking the man who is killing off his family. “Three will be sacrificed to the dark,” according to his family prophesy.
Can Samantha defeat a supernatural killer and prevent the third sacrifice? Or will she be the catalyst that opens the gate to the underworld buried in Sedona’s magical red rocks?
If you’re interested in witchcraft and shamanism—or just a dark, spooky tale—you’ll enjoy Song of the Ancients, written by a practicing Wiccan priestess.
It’s the debut novel in the Ancient Magic series.
Now you can get in at the beginning—FOR FREE!
I’m trying to replace the 50 fabulous reviews I received in the original edition.
 
Which brings me to my second request for help:
Did you post an Amazon review of Song of the Ancients when it was released originally? You were so kind then, and I’ve made copies of every review before it disappears. Unfortunately, original reviews do not travel with re-released books on Amazon.

Would you be willing to repost your review for this edition if I send you a copy of your original? Again, all I need is your email here or on my Facebook page.

Thank you for your help!

After this re-release, I’ll be finishing my stand-alone suspense, Crescent Moon Crossing. It will be going out on query to agents and editors by early November.

And that means that I will have this year’s National Novel Writing Month (NaNoWriMo) to work on Book 2 in the Ancient Magic series! I am so excited to rejoin Samantha and Nicholas as they head to London to meet with the Council of Elders, and begin their next supernatural investigation…at the standing stones of Scotland!

Again, thank you so much for your support in my writing journey, including the bumps we’ve all weathered along the way. Your readership means everything to me.

Now, go get your free ebook copy of Song of the Ancients, and get reading!

The weather is finally turning fall-ish here in Northern Arizona. I’ve even slept one night under the down comforter. The dogs are foraging through the dropped leaves like puppies on their evening forest walks, while I have my hands stuffed in my coat sleeves.

But the hummingbirds haven’t migrated south to Mexico yet, and neither have the Monarch butterflies, so I know we’re in the midst of Indian summer, not full blown fall.
​
So, before I leave the book writing posts, and start thinking about Halloween topics, I’d like you to meet the last two important characters in Crescent Moon Crossing, my novel-in-progress

Meet Rumor Vargas - Protagonist

If you read my first book, Song of the Ancients, you will remember Rumor Vargas as Samantha Danroe’s business partner at their antique clothing store in Sedona, AZ.  
 
Rumor was that friend who would drag you to parties and events, while you grumbled all the way. The one who would make you dress in costume, even if costumes weren’t specified on the invitation. We all have one of those friends, right? Who is yours? My current one is Barbie G.

Renaissance Festival full attire despite the 100-degree temps. Ritual without a robe and long black dress? Are you kidding? Our latest costume opportunity was my favorite: Phoenix Symphony performing Harry Potter and the Half Blood Prince. I sat scrunched into the seat next to Barbie’s hoop skirted-theme dress and petticoats—and loved every minute of it.
 
So, Rumor was that kind of friend in my first book. But after her pal Samantha took off for London at the end of that book, with no intention of returning to Arizona, they sold off their store and Rumor moved south to Bisbee, another quirky Arizona town near the Mexico border.
 
In Crescent Moon Crossing, Rumor has again demonstrated her entrepreneurial acumen by opening an antiques store in Bisbee, specializing in folk art, occult pieces and yes, vintage clothing.
 
She has also earned her private pilot license and travels during the summer, acquiring antiques from around the world. If you’ve ever been to Bisbee, by the way, you know how well this eclectic store would fit in in there in real life!
 
Rumor, now 32, is American but has her Mexican father's olive skin, dark hair and eyebrows.  She is bi-lingual and often volunteers at a local refugee shelter called Hope House. By the end of the book, she also decides to advocate in court for illegals fighting to come in the United States and stay here legally.
 
Rumor's friend Abby has been murdered, and Rumor is a partial witness. She wants to help the sheriff find the murderer, and also clear her half-brother, who is a suspect.

Alberto used to be a coyote—a human trafficker for a Mexican cartel. Due to a regrettable act in his past, he owes a debt to the Cartel, which he is still paying back, now by smuggling other contraband into the states. He’s in over his head, and desperately wants out from under the Cartel’s thumb, but he’s worried they will harm his uncle and nephew if he refuses to work anymore for them.
 
In the book, we learn about human smuggling into the United States from Mexico and Central America—a hot political topic at the moment.

During one smuggling trip across the Arizona desert, Alberto’s group encounters what is known as a “Cherry Tree” or “Rape Tree.” Often these trees are strewn with women’s garments as a warning to stay out of a certain Cartel’s traffic territory. These trees are seen on major smuggling routes between Arizona and Mexico.
 
A coyote will make $3,000 to $4,000 a head on Mexican illegals and up to $10,000 for Central American fares. He will bring a few to a dozen people per trip, and may make a trip a month or more.
 
But these rape tree warnings are more likely left by Cartel members, like Alberto, marking their drug smuggling routes. That’s where the big business comes in. An official estimated that cartels send a stunning $60 billion worth of drugs into the U.S. every year. Mexico’s former Public Safety Secretary Genaro Garcia Luna dropped that number at a conference in Juarez a couple of years ago.
 
Will a border wall stem that drug flow? I don’t know. Statistics show that most of the drug smuggling happens other places, like the actual legal border checkpoints. So it feels like the wall will kill off the normal migration routes of local wildlife, rather than kill off the drug trade. There’s just So. Much. Money.
 
The Cartel tie-in does make for some great conflict in the book. First, Rumor is estranged from her father’s side of the family, and vehemently against Alberto’s involvement with the Cartel. Her father isn’t happy about it either, but he’s supporting Alberto’s efforts to get out from under his employer’s hold, and he’s cut ties with Rumor for fear that she will turn her brother over to ICE if he visits the states.
 
Since Sheriff Jones’ wife was killed by a junkie, he also has some wound-related reasons to be suspect Rumor’s brother in this murder investigation. This sets up some interesting conflict for Coop. Can he be unbiased in his murder investigation with Alberto, a drug trafficker, as one of his suspects?
 
I’m approaching 65,000 words, and my goal is to have the rough draft finished before November 1. I would so love to have this one in the can, and begin National Novel Writing Month (NaNo) with a NEW novel to write. Keep your fingers crossed!

#Amwriting  

I’ve been writing a suspense novel, tentatively titled Crescent Moon Crossing, for nearly two years now.  That’s a big chunk of time to devote to a single project, but my first novel, Song of the Ancients, took just as long.  They’re both set in Arizona--Ancients involved the Sedona vortexes, and Crescent Moon Crossing takes place near the Mexico border around Ft.  Huachuca and Bisbee.

I enjoy writing stories set in Arizona. The landscape has such variation, and the cultural mix is diverse. If you want to write paranormal, there’s a lot of spiritual lore and beliefs to draw on to make the world you create believable. If you’re interested in cowboys, horses, desert or ranch life, you’re definitely in the heart of things here. Or, you can go a completely different direction, and include border issues, drug smuggling and Cartel danger. That’s what I did for Crescent Moon Crossing.

Book Teaser:

Staff Sgt. Jace Merrick has two short-term goals: Join Army Intelligence, and kill his wife.

When his bleeding-heart spouse, Abby, begins volunteering at Hope House, a group that leaves supplies in the Arizona desert for illegals crossing the  border, he hatches a plan to make her murder look like a coyote smuggling operation gone wrong.
But someone beats him to it. Someone who has a grudge against Jace Merrick.
You met these two villains in my last two previous blogs.
Now it’s time to meet the good guys.  

Meet main character, Sheriff Cooper (“Coop”) Jones
Coop is a widower with a young daughter, Sadie (you’ll also meet her in the book). His wife was killed by a junkie in a home invasion while Coop was with the Miami police force.
 
After he buries his wife, Coop decides to get as far away from Miami as possible. 
 
He is now the acting Sheriff of Cochise County, AZ, through a circuitous set of events.  The police chief he worked for in Florida met the Maricopa County Sheriff at a national conference, and recommended Coop for a job in Arizona if anything came open. When the Sheriff of Cochise County was killed in a traffic accident, Coop got the call.
 
He’s had only been in Arizona a few months when he has to investigate the murder of a woman, Abby Merrick, in a remote stretch of desert outside Sierra Vista.
 
It looks like she may have stumbled on some Mexican Cartel members smuggling drugs or human cargo across the border. He initially suspects a young Hispanic man who has Cartel ties, and also happens to be the younger brother of Rumor Vargas, a well-respected antiques dealer and business owner in nearby Bisbee.
 
On the other hand, Abby’s Army husband, Jace, also has a pretty strong motive to kill his wife. He’s in the middle of a long-term affair with a lanky blond Lieutenant with a highly connected daddy.
But the more Coop digs into Abby’s death, the more things don’t quite add up for either of these suspects.
Someone else has a grudge against Sgt. Jace Merrick. A life and death grudge. 

​Coop is fast becoming a favorite character of mine. When I first started writing him, I put the Sheriff’s personality characteristics through the Myer Briggs personality tests (as part of a writing class I was taking). He came back as an INTJ (Introverted-Intuitive-Thinking-Judging), an interesting character type. Kind of a loner.
 
To outsiders, INTJs may see to project an aura of “definiteness” and self-confidence. Sometimes mistaken for arrogance by the less decisive, its source lies in the specialized knowledge systems that INTJs start building at an early age. When it comes to their own areas of expertise—and INTJs can have several—they will be able to tell you almost immediately whether or not they can help you, and if so, how. INTJs know what they know, and perhaps still more importantly, they know what they don’t know. 
​
My choice of actor to play Coop (hey, I can dream), is soon-to-be-Walker Texas Ranger Jared Padalecki. He's leaving a 15-season stint as youngest brother Sam Winchester in Supernatural.  If I had to guess, I'm thinking he's an INTJ in real life. 

Another favorite is Luke Grimes. He plays youngest son Kayce  on the outstanding TV western, Yellowstone.

​Whatever they happen to be working on is for them the equivalent of a moral cause, and both perfectionism and purposeful disregard for authority may come into play.
 
These personality traits should make an interesting sheriff, don’t you think? If you’ve ever watched the Western crime suspense series Longmire on Netflix, you’ve already met an INTJ lawman, and he’s a doozy of an example. 

​Longmire features Sheriff Walt Longmire (Aussie actor Robert Taylor), who grapples with a hazy past, complicated moral decisions, and the bad guys of modern Wyoming. 
             
Like Cooper Jones, Sheriff Longmire is also recently widowed. Both characters are men in psychic repair. They bury their pain behind a brave face and meticulous thinking. And both men have a deep understanding and respect for their environment and its indigenous people.

I hope you will come to like Sheriff Coop Jones as much as I’ve enjoyed writing him.

 Meanwhile, as I’m working feverishly to this book, take a look at Longmire and Yellowstone, and let me know what you think of their true-to-life western actors.

My writing week took a strange turn this week.

I’ve been plotting to have my bad guy murder two women camping in the Cochise Stronghold Campground near Tombstone. The first woman I patterned after someone I don’t much care for (there are so many perks to being a novelist!) She’s bossy, so the bad guy decided to kill her first. He slit her throat when she visited the latrine before bed and then pushed her into the self-composting toilet.

 My husband suggested strangling the second girl and stuffing her in the “bear box” at their campsite, but I wasn’t sure she’d fit without cutting her up. Those boxes are kinda small, and I didn’t want my killer to have the deal with a hacksaw and all that blood. (My son said the hacksaw would work better than a chainsaw—more precise and less messy.) But still, who travels with a hacksaw?  So I countered with rubbing her body with the morning breakfast’s bacon grease, and leaving her out as a treat for the bears.
​
Ultimately, I decided the whole “two young women camping alone” scene was cliché, and scrapped all 3,000-plus words. But, damn! It was fun to write. And I’m keeping the scene…who knows, maybe you’ll read it as a short story when I submit it to some horror magazine.   

While we’re on the subject of bad guys, I’d like to introduce you to our first novel suspect, the victim’s husband, Army Staff Sergeant Jace Merrick. It remains to be seen whether Jace is pure evil, but he is definitely a narcissist and a sociopath with no conscience.

He enlisted in the Army during college, after losing is scholarship (it was his professor’s fault, of course), and was infantry, 11-Bravo. He’s a smart guy and has done well. Now his military career is taking a satisfying leap forward with his transfer to Ft. Huachuca, AZ, for Intelligence training.

That is, until his wife, Abby, threatens to report his long-running affair to his commanding officer. Unfortunately, his lover is a female officer, also at the Fort. If he doesn’t break off the fraternization, they could both be court-marshalled. He’s not going to let Abby use his affair against him. In fact, he’s plotting how to get rid of her and make it look like a Cartel human smuggling operation gone wrong.  

In researching sociopaths, one of the things I found interesting is that they see nothing at all wrong with their way of living in the world. Every decision a sociopath makes is based on “how does it affect me.” They are noted for their shallowness of emotion, and the hollow and transient nature of any affectionate feeling they may claim to have carries a certain breathtaking callousness.

They have no trace of empathy and no genuine interest in bonding emotionally with a mate. Once the surface charm is scraped off (and often there is a thick overlying layer of charm—sociopaths are very good at their game), their marriages are loveless, one-sided, and almost always short-term.

As the book evolves, Jace will refuse to acknowledge any blame or even responsibility for the decisions he makes, or for the outcomes of his decisions.   The American Psychiatric Association actually has a term for this, “consistent irresponsibility,” and it’s a cornerstone of the antisocial personality diagnosis.

I thought it would be difficult to write a sociopathic personality, but, as it turns out, I am dealing with one in my real life right now, so it was easy to find examples to pattern the behavior.

There’s a good chance you may have a conscienceless sociopath in your life as well. According to the book, The Sociopath Next Door by Martha Stout, PhD, sociopaths make up about four percent of the population.

Often they are attractive, intelligent and extremely successful. But because they truly have no conscience, self-awareness is impossible, and the rest of us just shake our heads and mutter,”Whaat? How can you possibly think that…act like that…do that to someone?”

If you have a close relationship with a sociopath, with a person who truly has no conscience, all my research says not to put out the effort to try and change him or her. Instead, walk away—and take your loved ones with you.

In the end, just as the sociopath has no genuine relationships with other people, he has only a very tenuous one with himself.

Stop by next time and meet another suspect, Rumor’s brother Alberto. He’s a Cartel coyote and drug smuggler, but much more of a good/bad mix than Jace. I think you’ll like him, and he’ll teach us some about smuggling people and contraband across the Mexican border into the States.
Until then, good reading.